In the act of painting, layering marks, working with fine transparent glazes to thick impasto and disrupting the surface with spay paint, I find things that come to dominate. I think of this as the ‘Unicorn’ in the work. The uninvited guest that makes things more interesting. In this way the painting itself isn’t necessarily limited to the ideas used to hang it on.
Within the 'great complexity’, my painting is a celebration of existence.